Slavoj Žižek – The Elvis of Philosophy?
“The thinker of choice for Europe’s young intellectual
vanguard”, a “punk philosopher”, “a rollercoaster
ride”, “sometimes bonkers but never
boring” and “the Elvis of philosophers” are among the many
things that have been said about Slovenian philosopher, culture
critic and psychoanalyst Slavoj Žižek and his works. Žižek
(born 1949), who packs out public lecture halls around the
world, is currently International Director of the Birkbeck
Institute for the Humanities in London and Senior Researcher
at the Institute of Sociology at the University of Ljubljana –
from which he was expelled in the 1970s because his PhD
thesis was “too Hegelian and not Marxist enough.” He’s made
films too, including one entitled The Pervert’s Guide to the
Cinema (2006). There is even an Institute of Žižek Studies.
When Slovenia became independent from Yugoslavia in 1991,
it instituted a four-person Presidency, for which Žižek stood.
He came fifth.
Žižek has a Stakhanovite work ethic and has published some
sixty books, six in 2014 alone. His main influences are Hegel,
Marx, Jesus, and the French psychoanalyst Jacques Lacan. You
meet the same ideas, even identical chunks of text, in several of
Žižek’s works; so if you don’t grasp an idea first time, you’ll
have a better chance the second or third time around. He illustrates
his points with a wide range of cultural references, from
classic Hitchcock films such as Psycho and Rear Window, more
recent films such as Abraham Lincoln, Vampire Slayer (a lesserknown
facet of the US President’s early career), to Wagner,
Mozart, contemporary Hegelian philosophers such as Catherine
Malabou, and Jane Austen, who he claims was a Hegelian
writer, though I doubt she was aware of it. But then, after Derrida,
we know that what the author intends is not the point.
Žižek uses many jokes in his works, which he claims illustrate
profound philosophical points. They are often racist, sexist, antisemitic,
or combinations of all of these. He can be provocative,
rude and aggressive – hence the punk comparison – although
the punk-rockers of the 1970s were not generally accomplished
musicians, whereas Žižek is an extremely erudite thinker. He
likes to study and quote writers who are normally considered
right-wing because he doesn’t think the left has come up with
many original ideas in recent times. And the left does seem to be
on the defensive in most of the West. In Europe, it’s on the run
from right-wing anti-immigration populist movements.
Žižek’s very fond of arresting statements such as “Hegel was
the first post Marxist”, “Gandhi was more violent than Hitler”
and “ only a radical leftist can be a true conservative today.”
When talking about the Frankfurt School philosopher
Theodor Adorno, Žižek wrote that: “the brilliant paradox
works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of
structural mediation, it generates idiotic pleasure by focusing
attention on itself.” But
he could have been talking about himself, because Žižek’s own
work is full of brilliant paradoxes which force attention on
themselves. The question is, is he just forcing attention on himself,
or does he have a coherent philosophy?
Hegel As The First Post-Marxist
One of Žižek’s key claims is that we are living in the End Times. Capitalism is dying. But we don’t know what to replace it with. Communism as developed by Marxists has been a disaster: firing squads, gulags, mass starvation, and miserable mediocrity even when it was working well. So to find out where we went wrong we have to go back past Marx, to Hegel.
Žižek’s first book in English, The Sublime Object of Ideology, was published in 1989 and puts forward the idea that Hegel (1770- 1831) was the first post-Marxist. Hegel died when Marx was thirteen – seventeen years before Marx and Engels published the Communist Manifesto. So how can this idea be credible?
What Žižek means is that for Marxists all conflicts and struggles – national, race, gender, sexuality, ecological – in society can and must be subsumed under the class struggle, and they’ll be resolved when the proletariat takes power, and not before. But it’s not so for post-Marxists, and it was not so for Hegel, either.
By the 1950s it was becoming evident that the proletariat, as generally understood then in the West – white male skilled and semi-skilled manual workers, and labourers – were not going to lead a revolution. They had been bought off by the cars and TVs provided by consumer capitalism. So revolutionaries had to look to marginal and excluded minorities, such as blacks, gays, students, and the ‘lumpenproletariat’. This thesis was formulated and popularised by Herbert Marcuse in One Dimensional Man (1964). Hegel had said something similar. First, that there was not one overriding conflict that would subsume all the others; and second, that there would always be a pobel – a rabble on the fringes of society who would never be fully integrated into it. Žižek returns to this theme in Less than Nothing, his major work of 2012, in which he nobly tries to bring Hegel back to the centre of the philosophical stage by saying that the pobel, like the poor, will always be with us. The underclass may erupt from time to time in outbursts of violence, as in parts of London in 2011, or LA in 1992, or Paris in 2005, but the violence was largely directed against local shopkeepers and business owners, the people closest to them, and is ultimately futile. The underclass don’t have the skills, or the will, to transform society.
Is Capitalism Nearing Its End?
According to Žižek in Living in the End Times, the ‘four horsemen of the apocalypse’ are:
- Worldwide ecological crisis (global warming, resource
depletion).
- Imbalances within the economic system (the financial crisis
of of 2008).
- The biogenetic revolution.
- Exploding social divisions (the riots, the growth of various
type of fundamentalism, at the moment, notably Daesh/Isis).
Hence his view that capitalism is nearing its end.
I’m somewhat sceptical of this claim. Trotskyists have been telling us that capitalism is nearing its final crisis – its ‘death agony’ – since the 1930s, but even though it lurches from crisis to crisis with greater or lesser frequency, it’s still with us. However, capitalism’s solution to social tensions and problems has always been continuing economic growth, and it’s hard to see how the planet can support that indefinitely.
In Trouble in Paradise, one of his shorter and more accessible works, published in 2014, Žižek takes issue with the people we might call right wing optimists – those who think that the present is the best time in human history, thanks to capitalism. He also quotes the sociobiologist Stephen Pinker, who in The Better Angels of Our Nature (2011), argues that human society is less violent now than it’s ever been. This view seems somewhat difficult to square with our experience of Isis/Daesh, the desperate plight of the Syrian refugees, and the continuing violence in Palestine. No doubt the optimists would claim that these are mere eddies in the calm river of history, exceptions rather than the rule. Perhaps it’s only the West that’s in the economic doldrums: the developing world is continuing to grow, to such an extent that there are now economic migrants going from Portugal back to its former colony, Angola.
The country that Žižek says typifies the ‘paradise’ in which
we’re now living is South Korea. Here “we find top economic
performance, but with frantic intensity of the work rhythm;
unbridled consumerist heaven, but permeated with the hell of
solitude and despair; abundant material wealth, but with the
desertification of the landscape; imitation of ancient traditions,
but with the highest suicide rate in the world”. He
goes on to say (in yet another ‘brilliant paradox’): “today’s conservatives
are not really conservative. While fully endorsing
capitalism’s continual self-revolutionising, they just want to
make it more efficient by supplementing it with some traditional
institutions (religion, for instance) to constrain its
destructive consequences for social life and to maintain social
cohesion. Today, a true conservative is the one who fully
admits the antagonisms and deadlocks of global capitalism,
who rejects simple progressivism, and who is attentive to the
dark obverse of progress. In this sense, only a radical Leftist
can today be a true conservative”.
Communism
Žižek talks about communism in most of his works, but he uses the word in several different ways. At the end of Trouble in Paradise he says that “Communism today is not the name of a solution but the name of a problem, the problem of commons in all its dimensions – the commons of nature as the substance of our life, the problems of our biogenetic commons, the problem of our cultural commons (‘intellectual property’), and last but not least, the commons as the universal space of humanity, from which no one should be excluded”.
Is this just another example of his idiosyncratic use of words? Elsewhere Žižek characterises communism as the collective provision of bridges, streetlights, flood barriers – all things that we take for granted now, but which haven’t always been uncontroversial.
Communism for Žižek is encapsulated in the music of Eric Satie, who, Žižek tells us, was on the Central Committee of the French Communist Party in the 1920s. Satie said his music was intended as a backdrop, and that it didn’t matter what order the sections of his pieces were played in. Žižek claims that this is communism in music: “a music which shifts the listener’s attention from the great theme [as explored by, say, Beethoven] to its inaudible background, in the same way that communist theory and politics refocus our attention away from heroic individuals to the immense work and suffering of ordinary people”.
Another key point about Žižek is that he thinks that the three most important philosophers are Plato, Descartes and Hegel. Plato’s forms don’t exist in the real world but they are what we measure the real world against. Similarly, communism is the ideal society which we can never attain, but also the yardstick against which we measure our social and political arrangements. His description of communism, as given above, is somewhat vague and hazy, and he says it’s necessarily so. Yet how can we judge our societies if we only have a vague idea of the standard we’re judging them against? Other utopians, such as Thomas More, William Morris, and Plato himself in the Republic, went into quite a lot of detail about their ideal societies.
What Is To Be Done?
If communism is the question rather than the answer, what should we do, here and now, to face down the four horsemen and move towards the vague ideal? In another arresting paradox, Žižek says: “Don’t act: think.” But he does sketch a few prescriptions for action.
One of the ideas he does consider to be worth pursuing is
that of a ‘Citizen’s Income’, to which everyone is entitled
whether they work or not. It has been introduced, or is being
introduced, in one form or another, in Utrecht, Finland, Brazil
and Alaska. Put forward by Thomas Paine in the Eighteenth
Century, it has been advocated by thinkers on both the left and
right. It appeals to the left because everyone has a guaranteed
level of income, and so security, whatever their circumstances,
and it’s also a way of resolving the age-old contradiction
between freedom and equality. It’s also been advocated by rightwing
philosophers such as the German Peter Sloterdijk, since it
guarantees that people will be able to afford to buy the goods
capitalism produces. Sloterdijk argues that it’s not the rich who
exploit the poor any more, it’s the other way round. We’re all
dependent on creative geniuses such as Steve Jobs and George
Soros, who give to the world out of a sense of honour and pride.
We are all social democrats now, in that it’s the redistribution of the wealth created by the gifted few that keeps the system going. A nice, plausible thesis, until you consider who it was that the state had to bail out in the recent economic crisis.
What are the problems with the idea of the Citizen’s Income? It will lead to an improvement in the pay and conditions of workers at the bottom of the pile; but will they become so choosy that the worst jobs won’t get done? And if so, will it matter? There is already a great deal of resentment about welfare claimants. How could we sell people the idea that work becomes purely voluntary, a matter of ‘honour’ and ‘pride’? And perhaps the biggest issue is, who counts as a citizen – who is included and who’s excluded? The spectre of right-wing populism raises its head again here. Perhaps the Citizen’s Income idea needs to be implemented initially on a European scale before trying to apply it to the world as a whole. In any event, we should watch the current experiments with interest.
In fact, Žižek is very keen on Europe, and considers social democracy its finest achievement. But Europe needs to be remade in very different terms – he thinks the contemporary EU requirement that all EU states should eradicate their debt to be absurd, a recipe for economic depression. He held out great hopes for the Syriza government in Greece, but not so much now since it seems to have capitulated to Germany’s demands.
In Trouble in Paradise he says that we need a “new Master”
(sic), a Thatcher of the Left: a leader who would repeat Margeret
Thatcher’s transformation of the field of presuppositions
shared by the political elite of all persuasions, but in the opposite
direction. But “a true Master is not an instrument of discipline
or prohibition.” His message is not ‘you cannot’ or ‘you
have to’ but a liberating ‘you can’. Steve Jobs came close to the
concept of a true Master when he said “It’s not our job to figure
out what people want. It’s our job to figure out what we want.
It’s then up to the people to decide if they will follow”
VOCABULARY
- bonkers - помешанный
- mediocrity - посредственность
- evident - очевидный
- doldrums - дурные настроения
- uncontroversial - бесспорный
- horsemen - всадники